The movie-going and movie watching landscape continues to grow and evolve, against the industry’s will but for their benefit. 2021 saw the tail end of the extended awards season, while kinda-sorta embracing streaming as a viable option when faced with declining interest in the movie-going experience, which will more than likely become a niche endeavour, instead of a standard event. But across the board, great films continued to be released, here were my favourites from throughout the year.
Continue reading “Best in Cinema 2021: Part 1 – The Films”What Would the Stab Franchise Really Look Like?
Note: I’m writing this immediately after seeing the just-released fifth Scream film. I make passing mention of it, but I do take care to not discuss crucial plot points. There are no spoilers for the new one here. I promise.
Fans of the 90s horror franchise Scream are taking a stroll down memory lane this week with the release of… Scream. It’s the fifth one, but they’ve done away with the conventional numbering of sequels which may or may not have a meta in-film explanation, no spoiler (it does, kinda). I’ll refer to it as Scream 5 throughout this post, because I’m talking about the franchise, so it’ll get confusing to talk about the individual films without distinguishing between them.
Continue reading “What Would the Stab Franchise Really Look Like?”Best in Music: 2021
Best Album
This year saw two artists abandon their more downtrodden sounds and embrace a happier tone. Lorde had a more straightforward pop album in “Solar Power,” meanwhile the Michelle Zauner led Japanese Breakfast explored the facets of joy and happiness for one of her most personal and experiential records to date. It’s an album you can sit and envelope yourself in, or just have on in the background of a nice dinner, but it’s never disposable noise. It was certainly one of the top albums I had on repeat this year.
Continue reading “Best in Music: 2021”