Best Director
| Best: Jon M. Chu Wicked | Robert Eggers Nosferatu | TJ Mollner Strange Darling | Coralie Fargeat The Substance |
Film. Music. Television.
| Best: Jon M. Chu Wicked | Robert Eggers Nosferatu | TJ Mollner Strange Darling | Coralie Fargeat The Substance |
This time last year, I had no idea how my Top 5 would shake out. Some of the movies weren’t quite on my radar yet. Some 2024 films I enjoyed more than I thought I would, some less. But it was another good year for movies. Here are my favourites.
Continue reading “Favourite Films of 2024: Part 1 – The Movies”I feel I say it every year, but damn 2023 was a great year for film. There are so many I liked that didn’t make the cut on these lists, even expanding them to 5 didn’t do it justice. And the Top 5? That was impossible to order. It’s fractions of fractions of fractions that separate #1 and #5.
Continue reading “Favourite Films of 2023: Part 1 – The Movies”We still have to see how it will stand the test of time, but 2022 has been a great movie year, and it feels like the movies are rebounding from the pandemic. I will never not champion the movie-going experience, and here are my favourites from the past year in cinema.
Continue reading “Favourite Films of 2022: Part 1 – The Movies”Florence + The Machine – Dance Fever
I went back and forth between several albums that could have gone here (see Honourable Mentions). But as a longtime fan of Florence + The Machine, it felt right to put Welch’s grand, beautiful epic of an album in the top slot. From the second the needle drops on side-one, track-one of Dance Fever, you’re captivated, lost in the music, dancing along and ignoring the world. Whether you’re physically dancing around your living room or mentally dancing at your office desk, the album grabs ahold of you and doesn’t let go. It perfectly encapsulates the musical spirit of Florence + The Machine without feeling like a “typical” effort from them.
Continue reading “Favourite Music of 2022”Every so often, I see a random meme on social media or in a Buzzfeed-esque listicle about the curse in Beauty & The Beast. There are a lot of questions surrounding it. How old was Beast/Prince Adam when they were cursed? How long have they been cursed? How serendipitous for Belle to show up at the last minute after so many years! Chip… what’s all that about? All very good questions. And if you’ll allow me to speculate, I have some possible answers to the nature of the enchantress’ (fancy witch’s) curse.
Continue reading “What Exactly Did the Beauty & The Beast Curse Do?”The movie-going and movie watching landscape continues to grow and evolve, against the industry’s will but for their benefit. 2021 saw the tail end of the extended awards season, while kinda-sorta embracing streaming as a viable option when faced with declining interest in the movie-going experience, which will more than likely become a niche endeavour, instead of a standard event. But across the board, great films continued to be released, here were my favourites from throughout the year.
Continue reading “Best in Cinema 2021: Part 1 – The Films”Note: I’m writing this immediately after seeing the just-released fifth Scream film. I make passing mention of it, but I do take care to not discuss crucial plot points. There are no spoilers for the new one here. I promise.
Fans of the 90s horror franchise Scream are taking a stroll down memory lane this week with the release of… Scream. It’s the fifth one, but they’ve done away with the conventional numbering of sequels which may or may not have a meta in-film explanation, no spoiler (it does, kinda). I’ll refer to it as Scream 5 throughout this post, because I’m talking about the franchise, so it’ll get confusing to talk about the individual films without distinguishing between them.
Continue reading “What Would the Stab Franchise Really Look Like?”This year saw two artists abandon their more downtrodden sounds and embrace a happier tone. Lorde had a more straightforward pop album in “Solar Power,” meanwhile the Michelle Zauner led Japanese Breakfast explored the facets of joy and happiness for one of her most personal and experiential records to date. It’s an album you can sit and envelope yourself in, or just have on in the background of a nice dinner, but it’s never disposable noise. It was certainly one of the top albums I had on repeat this year.
Continue reading “Best in Music: 2021”
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