Film. Music. Television.
While 2025 may have been an overall grab-bag of a movie year, the great films were great. Most everything else was just very middling. Here are my 10 favourites of the year, plus a few bonus broken down by genre.
Continue reading “Favourite Films of 2025: Part 1 – The Movies”
| Best: Jon M. Chu Wicked | Robert Eggers Nosferatu | TJ Mollner Strange Darling | Coralie Fargeat The Substance |
This time last year, I had no idea how my Top 5 would shake out. Some of the movies weren’t quite on my radar yet. Some 2024 films I enjoyed more than I thought I would, some less. But it was another good year for movies. Here are my favourites.
Continue reading “Favourite Films of 2024: Part 1 – The Movies”
I feel I say it every year, but damn 2023 was a great year for film. There are so many I liked that didn’t make the cut on these lists, even expanding them to 5 didn’t do it justice. And the Top 5? That was impossible to order. It’s fractions of fractions of fractions that separate #1 and #5.
Continue reading “Favourite Films of 2023: Part 1 – The Movies”
We still have to see how it will stand the test of time, but 2022 has been a great movie year, and it feels like the movies are rebounding from the pandemic. I will never not champion the movie-going experience, and here are my favourites from the past year in cinema.
Continue reading “Favourite Films of 2022: Part 1 – The Movies”
Florence + The Machine – Dance Fever
I went back and forth between several albums that could have gone here (see Honourable Mentions). But as a longtime fan of Florence + The Machine, it felt right to put Welch’s grand, beautiful epic of an album in the top slot. From the second the needle drops on side-one, track-one of Dance Fever, you’re captivated, lost in the music, dancing along and ignoring the world. Whether you’re physically dancing around your living room or mentally dancing at your office desk, the album grabs ahold of you and doesn’t let go. It perfectly encapsulates the musical spirit of Florence + The Machine without feeling like a “typical” effort from them.
Continue reading “Favourite Music of 2022”
The movie-going and movie watching landscape continues to grow and evolve, against the industry’s will but for their benefit. 2021 saw the tail end of the extended awards season, while kinda-sorta embracing streaming as a viable option when faced with declining interest in the movie-going experience, which will more than likely become a niche endeavour, instead of a standard event. But across the board, great films continued to be released, here were my favourites from throughout the year.
Continue reading “Best in Cinema 2021: Part 1 – The Films”
This year saw two artists abandon their more downtrodden sounds and embrace a happier tone. Lorde had a more straightforward pop album in “Solar Power,” meanwhile the Michelle Zauner led Japanese Breakfast explored the facets of joy and happiness for one of her most personal and experiential records to date. It’s an album you can sit and envelope yourself in, or just have on in the background of a nice dinner, but it’s never disposable noise. It was certainly one of the top albums I had on repeat this year.
Continue reading “Best in Music: 2021”
My list does exclude a few awards season films that are being included due to the extended award season, yet are still 2021 releases. Judas & The Black Messiah, for example, is expected to have a presence at the Oscars this year, but is technically a 2021 film, so expect that to show up round this time next year, but not on this list.
Continue reading “Best in Cinema 2020: Part 2 – Individual Achievement”
The Empty Theatre 
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