Best Films of 2018: Part 2 – Individual Achievement

Best Director

Spike Lee – BlacKkKlansman

Honourable Mentions: Ryan Coogler – Black PantherJohn Krasinski – A Quiet PlaceYorgos Lanthimos – The Favourite

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Best of 2018 – Film: Part 1 – Films

Best Films of 2018

Best Films of the Year

Black Panther

It would be easy to dismiss this as a pop cultural phenom, a popcorn blockbuster for the masses. It’s Marvel by way of Disney, after all. But Black Panther as a film finally accomplished what comic books had been doing for years: Holding a mirror up to society. For numerous reasons. From nationalism to isolationism to racism. It captured that and ran it through a fantasy filter, but never lost its poignancy. Black Panther is a film for our time. A bloated, visual-effects laden, epic franchise comic book action film, that still manages to say something important, and look absolutely gorgeous doing so. The hero isn’t 100% right, the villain isn’t 100% wrong. This is a brightly-coloured grey area of a film. And it’s beautiful. Best film of 2018? Up there. THE film of 2018? Definitely.

A Quiet Place

If you know me, you know I tend to go genre with my favoured films. The Shape of Water, Arrival, The Witch. Had Black Panther not been the event it was, A Quiet Place would definitely be taking the top spot. It’s a deep contemplation on the anxiety of parenthood, particularly fatherhood. Director/star John Krasinski’s approached this with a lot of care, and we got a weighty monster film that does stick with you once throughout the entire film. You’re afraid to crunch your popcorn, slurp your soda, for fear of giving away their location.

Continue reading “Best of 2018 – Film: Part 1 – Films”

Best Of 2018: The Music

Here’s what moved me in 2018. What got my toes tapping, my head bobbing, my fingers drumming, my lips humming. As in years past, I’ve got my Best Ofs, then a list of honourable mentions. There was a lot to enjoy in music this year. A lot I’m looking forward to

Album Of The Year

Janelle Monáe – Dirty Computer

It’s hyper-ambitious to rock a full concept album in R&B, and Janelle just lands it. It’s the perfect album for 2018, with the artist fully and unabashedly owning and celebrating her identity. Monáe’s third album feels as much as a statement of her musicality as it is a statement of her as a person. Finding out after the fact that Prince himself had a hand in crafting the album is a telling factoid that only enhances my enjoyment of the album.

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