10 Films to See This Summer Besides The Dark Knight Rises & The Avengers

I don’t have any reviews for this weekend. I went to a Renaissance Faire, hung out with friends and family, and I didn’t particularly want to see The Lucky One (It’s Nicolas Sparks, so it’s probably stupid, and was dragged out 45 minutes longer than needed to be by a previously unmentioned terminal disease related subplot) or Think Like A Man (looked OK, like Tyler Perry without the pandering stereotypes, but… I wasn’t interested).

So with no reviews, time for the stock filler of a TOP TEN LIST! Top 10 Films To See This Summer Besides The Dark Knight Rises & The Avengers. Those are obviously the big ones, everyone already knows about them, everybody will probably go see them. I will. I hope you do, too. You don’t need to be told about them. Here are the films that aren’t those ones that you should see this summer. It’s all releases, May through August. May starts the summer movie season, if not the solar season.

Chernobyl Diaries – May 25th

I’ve made quite a bit of fun at the expense of Oren Peli. And in my defense… not all of it’s completely undue. From the ret-conning of the Paranormal Activity plots as the sequels progress, to the lather, rinse, repeat method those films utilize to churn a new one out every year… But I was quite taken with his TV show The River, and am disappointed we won’t be getting more (though Netflix has expressed interest in picking it up and releasing new episodes). It was less of a “found footage” and more of a “Well… it was a film crew, so they shot everything.” And there was more of a narrative arc than Paranormal Activity. Which is why I’m looking forward to Chernobyl Diaries. There’s an actual plot driving this horror offering,  his crew is opting for the handheld look over the found footage look. Handheld usually means shaky-cam, which I’m definitely not a fan of. But there’s just something about Peli and his brand of horror that I can’t get enough of. Maybe it’s that it brought us out of the torture-porn era. I don’t know. But I like his stuff, and I’m actually looking forward to this one.

Prometheus – June 8th

I know this is some how being branded as an Alien prequel, which is a move I’m on the fence about. I’m all for Ridley Scott’s return to sci-fi, he’s directed two of the most influential films in the genre (the other being, of course, Blade Runner). I was listening to an interview with Prometheus writer Damon Lindelof, and as he describes it, it’s more a film that exists in the same universe and crosses over with plot/characters, but as a narrative, has little to do with the other property, in the same vein as the works of Stephen King or Quentin Tarantino. That is an easier pill to swallow concerning this film. More so… Scott directing a script penned by Lindelof, featuring Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba and Guy Pearce… I’m having trouble finding any fault in there.

Abraham Lincoln: Vampire Hunter – June 22nd

Say what you will about Wanted, I liked it, as well as director Timur Bekmambetov’s Russian horror/fantasy epics Night Watch and Day Watch. But even that’s not what has me most excited about this adaptation of Seth Grahame-Smith’s novel (which if you haven’t read, I suggest you do. You’ve got 2 months to read it. GO! NOW!). Nor is it the phenomenal cast that includes Benjamin Walker, Rufus Sewell, Dominic Cooper, Alan Tudyk, Mary Elizabeth Winstead and Anthony Mackie. No, it’s the fact that this film is a) being made, and b) getting a summer tent-pole release. This is a property that is way on the extreme of genre works, and doesn’t quite have that broad, mainstream appeal. Not that that’s a bad thing. It just sets a (good) precedent for genre films to get a wider audience, and if it’s any good, could lead to more exciting films in the pipe-line.

Brave – June 22nd

Pixar has a lot of making up to do. Cars 2 was a positively dreadful film. It was a quick grab at cash. They had built up this reputation for lovingly putting quality films into the world, and almost destroyed that notion with Cars 2. That said… they look to be well on their way back into all our good graces with Brave, their first film featuring a female lead. It’s the closest they’ve come to Disney’s classic princess film model, but since this is Pixar, we know it will be anything but. Maybe I’m biased because I’m for anything that involves Scotland. With Brenda Chapman at the helm, who directed the better-than-it-gets-credit-for Prince of Egypt and a good strong voice cast, I think Pixar will return to glory with Brave.

Seeking a Friend for the End of the World – June 22nd

There’s something about a people centric, apocalypse themed comedy that just screams “WHY WASN’T THIS MADE SOONER?!” There’s something sweet and charming about the trailer that grabs me and makes me want to see it. Just to see Steve Carell and Keira Knightly play off one another would be worth the ticket price alone, but then add in the brilliant ensemble supporting cast of Nancy Walls, Patton Oswalt, T.J. Miller, Gillian Jacobs, Connie Britton, Rob Corddry and many more, and this a sure-fire crowd pleaser. To top it off, it’s non-franchise, non-sequel, non-book, non-unoriginal… everything the internet forums could possibly want in a film.

The Amazing Spider-Man – July 3rd

Swing the pendulum the other way from Seeking a Friend…, here comes a reboot of a franchise we last saw just 5 short years ago, Spider-Man. The first and second Raimi/Maguire Spider-Man films were what ushered in comic-book era of films. They’re still landmarks in the genre and stand as some of the best of the super-hero films. The third one was a ridiculous piece of crap that did it’s best to undo all that the first two had built up. I still don’t know how I feel about a reboot this soon after the previous franchise… but director Marc Webb helmed the fantastic (500) Days of Summer a few years back, and with Andrew Garfield, Emma Stone, Rhys Ifans and Denis Leary (a particularly inspired bit of casting for Cpt. Stacy) in roles, and studying the trailer like the good little Spider-fan I am, it’s hard not to feel excited about it.

Savages – July 6th

Where 09 was the year of Sam Worthington, 2012 seems to be the year the studios are trying to push Taylor Kitsch. Two big budget action films (the bomb John Carter and May’s Battleship, which let’s say bombs, too, probably), and a stylized Oliver Stone drug drama. I’m not alone in not buying Taylor Kitsch as the next big thing, but it’ll be cool if he’s able to get a Emile Hirsch thing going. Flying under the radar, but doing consistently solid work. That’s why I’m looking forward to Savages. I like Oliver Stone, though he has been hit & mostly miss for the past decade or so. But when a good ensemble cast (including Kitsch and Hirsch, Aaron Johnson, Blake Lively, John Travolta, Salma Hayek, Uma Thurman and Benicio del Toro) and solid script come together, he can actually make quite the compelling film.

Ted – July 13th

Seth MacFarlane’s a love him or hate him kinda guy (as far as his career goes). There’s not much middle ground. I enjoy his work. Sure Family Guy isn’t the same show we fell in love with in 1999, and The Cleveland Show has been a gigantic piece of shit since day 1, but American Dad has actually gotten much better since its freshman season. And if you haven’t listened to his 2011 album “Music Is Better Than Words,” do so, right now, it’s amazing. Anyway, now we get to see how his comedic stylings translate to the big screen. I’m sure we won’t get cutaway gags, and rapid fire pop culture references, but that bawdiness, that crudeness, yet still something faintly intelligent, will all be there. And it’s Mark Funkybunchberg talking to a teddy bear! That’s hilarious. If you’re on the fence about Wahlberg doing comedy, see I Heart Huckabees (which would have been lost without him) and The Other Guys.

The Bourne Legacy – August 13th

I’m a huge fan of the Bourne franchise, as it completely revitalized the spy genre which limped through the post-Cold War 90s trying to find its relevance. What excites me is that this builds on the established story, bringing back established characters Noah Vosen and Pam Landy (David Straitharn and Joan Allen, respectively) while introducing us to Aaron Cross (Jeremy Renner), another agent in the Treadstone project who’s “gone rogue.” I’m most intrigued by the addition of both Rachel Weisz and Edward Norton, two phenomenal actors who we haven’t heard much from lately. Tony Gilroy steps up from writer to director, as he has written all of the Bourne films to-date. I’m approaching with caution, only because it lacks Matt Damon and Paul Greengrass, who built the franchise.

Lawless – August – 31st

Lawless
Shia LaBeouf and Tom Hardy in Lawless

I still don’t know if it’s Lawless or The Wettest County in the World, but last I checked it was Lawless, so that’s what we’ll call it from here on out. But this is a new Prohibition Era film from John Hillcoat, longtime collaborator with Nick Cave, and director of The Proposition in 05 and The Road in 09, both fantastic and you should definitely check those out. Tom Hardy and Guy Pearce anchor a cast that also features Shia “I Hate the 80s” LaBeouf, Mia Wasikowska and recent Oscar nominees Gary Oldman and Jessica Chastain. It’s got a solid pedigree, with a script from Nick Cave (who wrote a script for a Gladiator sequel I would actually want to see, see item #1). This could be one of those quite summer releases that’ll gain some traction heading into the Oscar race, let’s just hope it doesn’t get tragically left in the dust like 2011’s Drive.

Reviews: Lockout, The Cabin in the Woods, The Raid: Redemption

Lockout
Lockout

Lockout

3 stars

Starring Guy Pearce, Maggie Grace, Vincent Regan and Peter Storemare

When entering a film produced by Luc Besson, you can be assured of two things: 1) It’ll probably be completely unoriginal and full of clichés and 2) Number 1 won’t really matter because it’ll be a hell of a lot of fun.

Guy Pearce is one of those actors that never really popped like he should have, but fortunately never really faded into obscurity. I caught both L.A. Confidential and Memento right around the same time, and was instantly a fan of Pearce and anticipated big things for him. His first big budget lead role in the 2002 remake of The Time Machine was a dud, but he’s been maintaining a solid presence in art-fare, including 2010’s Best Picture winner The King’s Speech. He seems to have a lot of fun with his role as ex-CIA agent Snow in Lockout, and he takes the audience along for the ride. He’s definitely channeling some Kurt Russell for this.

Peter Stormare is engaging as always, this time as an assholish head of Secret Service, and I always get a kick out of seeing Lennie James on-screen (when’s he coming back to The Walking Dead?). Maggie Grace has made a career of playing the damsel in distress, and pretty soon they’re gonna run out of actors who can save her.

Major credit to both Vincent Regan and Joseph Gilgun for playing to great villains who would, given a better film, go down as some of the better cinematic villains of the past 10 years.

The biggest problem of the film is definitely the production design. The graphics and CGI are laughably bad in the opening chase sequence. Besson and his team created such an amazing world 15 years ago with The Fifth Element, it’s almost shocking that they couldn’t replicate that look for Lockout.

But I will give it to writer/directors James Mather & Stephen St. Ledger for taking what they gave themselves and making it work, barely. I was never able to fully suspend disbelief and enjoy the ride, but when I did… damn what a fun ride it was.

It’s great 80s B-Movie fun, think Escape from New York in space, but with modern filmmaking notions, and a weak plot. It’s fun… but never fully realizes it’s potential, which is disappointing. I say wait till DVD.

The Cabin In The Woods
The Cabin in the Woods

The Cabin in the Woods

5 stars

Starring Chris Hemsworth, Kristen Connolly, Bradley Whitford and Richard Jenkins

When I first saw a trailer for this one I though, “Seriously? Now they’re just getting lazy with the titles.” Then I saw that it was from Joss Whedon and Drew Goddard, who’s written for both Whedon (on Buffy and Angel) and J.J. Abrams (on Alias and Lost), so my next thought was “HOLY SHIT THIS IS GOING TO BE AMAZING!”

It was every bit as amazing as you could hope for for a horror film from these two. As I discussed in this entry here, the Scream franchise is essentially the perfect set of horror films. It dissects, parodies and satirizes the genre, yet still exists entirely within the confines of the genre. It’s the best of both worth worlds, and (at least the first one, there were diminishing returns on the sequels, which is super-meta, I suppose) it’s perfect. The Cabin in the Woods takes it a step further. It turns everything that has become trite and unoriginal in the genre and turns it on its head, making it so all that is trite and unoriginal is entirely the point. They even get jabs in at international horror films, particularly Japanese.

Bradley Whitford and Richard Jenkins are hilarious and perfectly eerie as the men in charge of the scares, controlling everything every step of the way. It really does bring new light as to why scary shit always happens at dark, secluded cabins. I was positively giddy every time the action cut to these two.

The best part is that with the intermingled action, you really do get caught up with the 5 college kids out for a weekend getaway. Instead of playing “Who’s gonna die next?” you’re actually rooting for them to make it out alive. They’re all fantastic, and while this won’t make any of them stars (Hemsworth filmed this way back in ’09, pre-Thor), it certainly isn’t a blemish on their filmographies like Jennifer Aniston in Leprechaun or George Clooney in Return to Horror High.

Fret not, faithful reader, I won’t spoil the ending for you, but I will say that it is fucking amazing, and if you’re a fan of Whedon at all, you’ll love it as much as I did. Definitely get to the theatre and see this one.

The Raid: Redemption
The Raid: Redemption

The Raid: Redemption

3.5 stars

Starring Iko Uwais, Yayan Ruhian and Joe Taslim

I jumped at the chance to catch this Indonesian action flick in theatres because I don’t think I’ve ever seen an Indonesian film of any genre. I gotta say, it was damn good. But it wasn’t all quite… there.

The action was mind-blowing. From start to finish, just wall to wall (literally) martial arts that will please any action fan. It played out like a video game. Our hero, Rama, works his way up the apartment complex, fighting the underlings along the way, then the underboss, then a showdown with the uber-boss. It’s a video game, but so fascinating to watch.

The reason it wasn’t all quite there, is the plot. I know I’ll probably hear “It’s an action film, who needs plot?!” Well… I do. The overall plot was these were cops going into a complex ruled over by a crime lord to take his empire down. Pretty standard, easy to work with kinda action flick. And that kept the show running through most of the film. And I was OK with all of that. But there were nuances to the story that the didn’t even address till the third act, and by that time, they just had to rush through it to get it all resolved.

I liken the film to an underwhelming firework. It wasn’t a dud that had no spark in the finale. There was just a lot of build up and it just ended. Maybe they’ll hash somethings out in the sequel due out next year, and I’m hoping they do.

If you’re really into action films, I do highly recommend it, as on the action front, it more than delivers. Read fast, though, they kind of zip through the subtitles. If you were on the fence about seeing this one in theatres, you could probably wait for the DVD and be just fine.

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