10 Films to See This Summer Besides The Dark Knight Rises & The Avengers

I don’t have any reviews for this weekend. I went to a Renaissance Faire, hung out with friends and family, and I didn’t particularly want to see The Lucky One (It’s Nicolas Sparks, so it’s probably stupid, and was dragged out 45 minutes longer than needed to be by a previously unmentioned terminal disease related subplot) or Think Like A Man (looked OK, like Tyler Perry without the pandering stereotypes, but… I wasn’t interested).

So with no reviews, time for the stock filler of a TOP TEN LIST! Top 10 Films To See This Summer Besides The Dark Knight Rises & The Avengers. Those are obviously the big ones, everyone already knows about them, everybody will probably go see them. I will. I hope you do, too. You don’t need to be told about them. Here are the films that aren’t those ones that you should see this summer. It’s all releases, May through August. May starts the summer movie season, if not the solar season.

Chernobyl Diaries – May 25th

I’ve made quite a bit of fun at the expense of Oren Peli. And in my defense… not all of it’s completely undue. From the ret-conning of the Paranormal Activity plots as the sequels progress, to the lather, rinse, repeat method those films utilize to churn a new one out every year… But I was quite taken with his TV show The River, and am disappointed we won’t be getting more (though Netflix has expressed interest in picking it up and releasing new episodes). It was less of a “found footage” and more of a “Well… it was a film crew, so they shot everything.” And there was more of a narrative arc than Paranormal Activity. Which is why I’m looking forward to Chernobyl Diaries. There’s an actual plot driving this horror offering,  his crew is opting for the handheld look over the found footage look. Handheld usually means shaky-cam, which I’m definitely not a fan of. But there’s just something about Peli and his brand of horror that I can’t get enough of. Maybe it’s that it brought us out of the torture-porn era. I don’t know. But I like his stuff, and I’m actually looking forward to this one.

Prometheus – June 8th

I know this is some how being branded as an Alien prequel, which is a move I’m on the fence about. I’m all for Ridley Scott’s return to sci-fi, he’s directed two of the most influential films in the genre (the other being, of course, Blade Runner). I was listening to an interview with Prometheus writer Damon Lindelof, and as he describes it, it’s more a film that exists in the same universe and crosses over with plot/characters, but as a narrative, has little to do with the other property, in the same vein as the works of Stephen King or Quentin Tarantino. That is an easier pill to swallow concerning this film. More so… Scott directing a script penned by Lindelof, featuring Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Elba and Guy Pearce… I’m having trouble finding any fault in there.

Abraham Lincoln: Vampire Hunter – June 22nd

Say what you will about Wanted, I liked it, as well as director Timur Bekmambetov’s Russian horror/fantasy epics Night Watch and Day Watch. But even that’s not what has me most excited about this adaptation of Seth Grahame-Smith’s novel (which if you haven’t read, I suggest you do. You’ve got 2 months to read it. GO! NOW!). Nor is it the phenomenal cast that includes Benjamin Walker, Rufus Sewell, Dominic Cooper, Alan Tudyk, Mary Elizabeth Winstead and Anthony Mackie. No, it’s the fact that this film is a) being made, and b) getting a summer tent-pole release. This is a property that is way on the extreme of genre works, and doesn’t quite have that broad, mainstream appeal. Not that that’s a bad thing. It just sets a (good) precedent for genre films to get a wider audience, and if it’s any good, could lead to more exciting films in the pipe-line.

Brave – June 22nd

Pixar has a lot of making up to do. Cars 2 was a positively dreadful film. It was a quick grab at cash. They had built up this reputation for lovingly putting quality films into the world, and almost destroyed that notion with Cars 2. That said… they look to be well on their way back into all our good graces with Brave, their first film featuring a female lead. It’s the closest they’ve come to Disney’s classic princess film model, but since this is Pixar, we know it will be anything but. Maybe I’m biased because I’m for anything that involves Scotland. With Brenda Chapman at the helm, who directed the better-than-it-gets-credit-for Prince of Egypt and a good strong voice cast, I think Pixar will return to glory with Brave.

Seeking a Friend for the End of the World – June 22nd

There’s something about a people centric, apocalypse themed comedy that just screams “WHY WASN’T THIS MADE SOONER?!” There’s something sweet and charming about the trailer that grabs me and makes me want to see it. Just to see Steve Carell and Keira Knightly play off one another would be worth the ticket price alone, but then add in the brilliant ensemble supporting cast of Nancy Walls, Patton Oswalt, T.J. Miller, Gillian Jacobs, Connie Britton, Rob Corddry and many more, and this a sure-fire crowd pleaser. To top it off, it’s non-franchise, non-sequel, non-book, non-unoriginal… everything the internet forums could possibly want in a film.

The Amazing Spider-Man – July 3rd

Swing the pendulum the other way from Seeking a Friend…, here comes a reboot of a franchise we last saw just 5 short years ago, Spider-Man. The first and second Raimi/Maguire Spider-Man films were what ushered in comic-book era of films. They’re still landmarks in the genre and stand as some of the best of the super-hero films. The third one was a ridiculous piece of crap that did it’s best to undo all that the first two had built up. I still don’t know how I feel about a reboot this soon after the previous franchise… but director Marc Webb helmed the fantastic (500) Days of Summer a few years back, and with Andrew Garfield, Emma Stone, Rhys Ifans and Denis Leary (a particularly inspired bit of casting for Cpt. Stacy) in roles, and studying the trailer like the good little Spider-fan I am, it’s hard not to feel excited about it.

Savages – July 6th

Where 09 was the year of Sam Worthington, 2012 seems to be the year the studios are trying to push Taylor Kitsch. Two big budget action films (the bomb John Carter and May’s Battleship, which let’s say bombs, too, probably), and a stylized Oliver Stone drug drama. I’m not alone in not buying Taylor Kitsch as the next big thing, but it’ll be cool if he’s able to get a Emile Hirsch thing going. Flying under the radar, but doing consistently solid work. That’s why I’m looking forward to Savages. I like Oliver Stone, though he has been hit & mostly miss for the past decade or so. But when a good ensemble cast (including Kitsch and Hirsch, Aaron Johnson, Blake Lively, John Travolta, Salma Hayek, Uma Thurman and Benicio del Toro) and solid script come together, he can actually make quite the compelling film.

Ted – July 13th

Seth MacFarlane’s a love him or hate him kinda guy (as far as his career goes). There’s not much middle ground. I enjoy his work. Sure Family Guy isn’t the same show we fell in love with in 1999, and The Cleveland Show has been a gigantic piece of shit since day 1, but American Dad has actually gotten much better since its freshman season. And if you haven’t listened to his 2011 album “Music Is Better Than Words,” do so, right now, it’s amazing. Anyway, now we get to see how his comedic stylings translate to the big screen. I’m sure we won’t get cutaway gags, and rapid fire pop culture references, but that bawdiness, that crudeness, yet still something faintly intelligent, will all be there. And it’s Mark Funkybunchberg talking to a teddy bear! That’s hilarious. If you’re on the fence about Wahlberg doing comedy, see I Heart Huckabees (which would have been lost without him) and The Other Guys.

The Bourne Legacy – August 13th

I’m a huge fan of the Bourne franchise, as it completely revitalized the spy genre which limped through the post-Cold War 90s trying to find its relevance. What excites me is that this builds on the established story, bringing back established characters Noah Vosen and Pam Landy (David Straitharn and Joan Allen, respectively) while introducing us to Aaron Cross (Jeremy Renner), another agent in the Treadstone project who’s “gone rogue.” I’m most intrigued by the addition of both Rachel Weisz and Edward Norton, two phenomenal actors who we haven’t heard much from lately. Tony Gilroy steps up from writer to director, as he has written all of the Bourne films to-date. I’m approaching with caution, only because it lacks Matt Damon and Paul Greengrass, who built the franchise.

Lawless – August – 31st

Lawless
Shia LaBeouf and Tom Hardy in Lawless

I still don’t know if it’s Lawless or The Wettest County in the World, but last I checked it was Lawless, so that’s what we’ll call it from here on out. But this is a new Prohibition Era film from John Hillcoat, longtime collaborator with Nick Cave, and director of The Proposition in 05 and The Road in 09, both fantastic and you should definitely check those out. Tom Hardy and Guy Pearce anchor a cast that also features Shia “I Hate the 80s” LaBeouf, Mia Wasikowska and recent Oscar nominees Gary Oldman and Jessica Chastain. It’s got a solid pedigree, with a script from Nick Cave (who wrote a script for a Gladiator sequel I would actually want to see, see item #1). This could be one of those quite summer releases that’ll gain some traction heading into the Oscar race, let’s just hope it doesn’t get tragically left in the dust like 2011’s Drive.

2012 Oscar Predictions

Hooray! It’s Oscar week! I’m excited as always, and there’s big things on the horizon for Brodie Mann Films, so stay tuned for all that. But since we’re a week away, it’s time to make my picks. Last year I went 13 for 24, for a 54% success rate, and my personal best came in 2010 when I went 15 for 24, for a 63% success rate. Can I beat my best? Or even last year’s score? We’ll see, here are my picks.

84th Annual Academy Awards
The 84th Annual Academy Awards, Hosted by Billy Crystal

Best Picture

The Artist

Best Director

Michel Hazanavicius for The Artist

Best Actor in a Leading Role

Jean Dujardin  for The Artist

Best Actress in a Leading Role

Michelle Williams for My Week With Marilyn

Best Actor in a Supporting Role

Christopher Plummer for Beginners

Best Actress in a Supporting Role

Octavia Spencer for The Help

Best Original Screenplay

Woody Allen for Midnight in Paris

Best Adapted Screenplay

Alexander Payne, Nat Faxon & Jim Rash for The Descendants

Best Animated Feature

Rango

Best Foreign Language Film

Bullhead

Best Documentary Feature

Paradise Lost 3: Purgatory

Best Original Score

Ludovic Bource for The Artist

Best Original Song

Bret McKenzie for “Man or Muppet” from The Muppets

Best Cinematography-

Guillaume Schiffman for The Artist

Best Film Editing-

Anne-Sophie Bion & Michel Hazanavicius for The Artist

Best Art Direction-

Dante Ferretti & Francesca Lo Schiavo for Hugo

Best Costume Design-

Mark Bridges for The Artist

Best Make-Up –

Martial Corneville, Lynn Johnson & Matthew W. Mungle for Albert Nobbs

Best Sound Editing-

Lon Bender & Victor Ray Ennis for Drive

Best Sound Mixing

David Parker, Michael Semanick, Ren Klyce & Bo Persson for The Girl With The Dragon Tattoo

Best Visual Effects-

Joe Letteri, Dan Lemmon, R. Christopher White & Daniel Barrett for Rise of the Planet of the Apes

Best Documentary: Short Subject-

Saving Face

Best Short Film: Animated-

The Fantastic Flying Books of Mr. Morris Lessmore

Best Short Film: Live Action-

Time Freak

50/50, The Ides of March, Drive

50/50 Starring Joseph Gordon-Levitt & Seth Rogen
50/50 starring Joseph Gordon-Levitt and Seth Rogen

50/50

5 Stars

Starring Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick and Anjelica Huston

I was warily intrigued when I first heard the concept of a comedy about a guy dealing with cancer. Especially one starring Seth Rogen. But I was pleasantly surprised, and delighted, with the final product that was 50/50.

Joseph Gordon-Levitt (Inception, 500 Days of Summer) stars as Adam, a 27-year-old writer for NPR who receives the lift altering news that he has a rare form of cancer. He moves through his life with the help of friends and family and comes to terms with the state of his life.

The main obstacle this film had to overcome was the contrived nature of a cancer story line. It immediately tugs on your emotional strings. Or if it’s written by Nicolas Sparks, it punches you in the face. But writer Will Reiser, making his feature debut, handled the subject matter with an earnestness that tends to be glossed over in most cancer tales. Reiser based the script on his own experiences following a cancer diagnoses and getting through it with the help of his friend, co-star Seth Rogen (Knocked Up, Funny People). There’s a feeling of realism to the dialogue that helps you empathise with what Adam’s going through, and I’m sure many men of my generation would act and react in a similar fashion.

Gordon-Levitt handles the subject matter with a delicacy so as not to disrespect it. But you can feel the humour and despair he exudes as Adam. Rogen does something bizarre. In the same role, he plays the familiar man-child archetype he’s perfected over the course of his career, but at the same time brings an air of poignancy.

I highly recommend this film. It’s funny in all the right places, but knows exactly when to be serious, and never feels trite. A must watch for the year.

The Ides of March
The Ides of March starring Ryan Gosling and George Clooney

The Ides of March

4 stars

Starring Ryan Gosling, George Clooney, Evan Rachel Wood, Phillip Seymour Hoffman, Paul Giamatti and Marisa Tomei

I went into The Ides of March expecting one film, but got a completely different one, marked by stellar performances from an amazing cast.

Ryan Gosling (The Notebook, Blue Valentine) stars as Stephan Meyers, a young, idealistic campaign manager for a Governor running for President (George Clooney, who also wrote and directed), who gets caught up in the dirty political machine that threatens his views and career.

I was anticipating a tight political thriller in the vein of All The President’s Men or State of Play. And I was completely let down. It’s not that it isn’t a political thriller, but it’s a lackluster one. It lacks any sort of punch to really keep the audience on the edge of their seat. But we do a thoroughly engaging character study on what the political machine can do to a person, and feels like an inside look at what goes on behind the scenes of a presidential campaign.

Throughout the course of the film, Gosling’s Meyers goes through a transformation from idealistic young political hotshot, to jaded, cynical, willing to the play the game staffer. It’s that transformation that makes the film, and Gosling’s performance sells it.

It’s interesting how well the cast mirrors the theme. You’ve got the heavyweight veterans supporting the young rookie (relatively, to the rest of the cast). Clooney delivers a so-so performance as the candidate, but it’s Hoffman (The Big Lebowski, Capote) and Giamatti (Sideways, Cinderella Man) who really shine as competing campaign managers who show Meyers how it’s really done. Evan Rachel Wood (Across The Universe, Thirteen) is enchanting as a young intern who serves as the cornerstone for a potential scandal.

It’s not genre defining, but definitely one of the best political films in the past few years, despite laying the actual politics on a little thick.

Drive
Drive starring Ryan Gosling

Drive

5 stars

Starring Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks and Ron Pearlman

The Transporter is a sometimes pleasing, but mostly over the top action franchise. But what if The Coen Brothers directed an installment? That’s the feeling I got off of Drive, and it was a damn good feeling.

An enigmatic stunt driver moonlights as a getaway driver, living by specific set of rules. But when a deal goes south while trying to help a friend, he finds himself on the run from the West Coast mob.

This is the odd movie that has the feel of a 70s/80s B-Movie, but doesn’t fully drop into over-the-top ridiulousness to make it cheesy. It’s actually a great edge-of-the seat action thriller, that touches on the right amount of gore, and has the perfect blend of drama and action. And a lot of credit must go to Danish director Nicolas Winding Refn (Bronson). I don’t want to say he was the best for the job, as I’m admittedly unfamiliar with his work (though it’s all in my Netflix queue), but I do get the feeling that under a less capable director, the film would have devolved into Drive Angry.

Gosling steps into “Strong, Silent” or “Daniel Craig” mode for this film, and is never really given a name (at least not to my recollection, correct me if I’m wrong), which only adds to the air of mystery. There’s a calm, understated intensity to his demeanour until he needs to defend himself or the ones he cares for. That’s when he explodes, and it’s fantastic to see him work.

We’re given the supporting cast in small doses, no one really given too much to do, but enough to leave an impression. I was particularly fond of Albert Brooks (Finding Nemo, Broadcast News) as the villain. It seemed to be new territory for him and he slipped into the role magnificently.

This is hands down one of the most surprising films of the year, and definitely one of the best. Following these two performances (this and Ides of March), Gosling is a shoe-in for at least one Oscar nomination.

Movies I’m Looking Forward to in 2011 part 3 of 4

Part 3 of the ongoing blog postings about the movies of 2011, we’re now in quarter 3, July to September

July

Harry Potter and the Deathly Hallows part 2 – To be fair, the franchise hasn’t been as good as it was with Prisoner of Azkaban, but part 1 of Deathly Hallows was up there, and it’s been a surprisingly consistent franchise (except for Half Blood Prince). I think this will be  a fitting end to the franchise.

Harry Potter and the Deathly Hallows Part 2

Captain America: The First Avenger – Much like Zack Snyder, sometimes I feel like I’m in the minority with Chris Evans, but I like the guy. As with Thor, I applaud Marvel’s ambition, and I’m hoping this project pays off, big time, for them.

Captain America: The First Avenger

Cowboys & Aliens – I love alien invasion films. I like westerns. With a cast that includes Harrison Ford, Daniel Craig and Sam Rockwell, and Jon Favreau in the director’s chair, I’ve got high hopes for this niche blockbuster.

August

The Darkest Hour – Like I said, I love alien invasion movies, and this appears to be a bleaker take on the subgenre, with Emile Hirsch leading an impressive young cast. But truly, I’m looking forward to seeing Chris Gorak’s follow-up to 2006’s underrated Right At Your Door.

30 Minutes or Less – The most exciting aspect of this comedy crime film is the reuniting of Zombieland director Ruben Fliescher and his star Jesse Eisenberg.

September

Colombiana – The films that come out of Luc Besson’s crew of writers and directors are always a guilty pleasure (or regular pleasure) of mine, and with Zoe Saldana in the lead, this could be a fun late summer escapist film.

Drive – Ryan Gosling strays from his indie safe house to do a B-Action movie, but could elevate it to be the right amount of cheese as we head into the fall. I’m expecting big things from Danish director Nicolas Winding Refn’s major American debut.

Website Powered by WordPress.com.

Up ↑